Autumn harvest

Sargent-gassed

(John Singer Sargent, Gassed, Imperial War Museums)

September. Originally the seventh month of the year. The Welsh name, ‘Medi’, is the word for reaping; the Irish, ‘Meán Fómhair’ means ‘mid-autumn’; and the Scots Gaelic, an t-Sutltuine, refers to the abundance and cheerfulness of harvest.[1] It hardly feels like mid-autumn here yet, early mornings aside; and while the ‘astronomical’ autumn begins on 23 September, the date of the autumn equinox, the ‘meteorological’ autumn began on 1 September (mine too).

The ‘abundance of harvest’. Yes, I’m currently closely engaged with a handsome festschrift for poet and publisher (and much else) Jonathan Williams, which I intend to write about in the very near future. Jeffery Beam, one of the book’s editors, closes his introduction with the observation that, ‘One might call Jonathan’s life a poetics of gathering, and this book is a first harvest.’[2] Then too, harvest looms very large indeed in a superb recent novel, All Among the Barley, by Melissa Harrison.[3] She took part in a Festival of Ideas event last night with Tim Pears, ‘The Pastoral Novel and Lessons of History’, held at the main Waterstones branch in Bristol, both of them very impressive, articulate and engaged (the moderator was good too). Melissa Harrison, asked to read an extract from her book, recited from memory, as Alice Oswald does her poetry. With prose, it’s rarer, though I recall an event years ago at which Iain Sinclair read and then Stewart Home recited or, possibly, improvised, talking very quickly and for a good fifteen minutes.

Harrison-Barley

I read Melissa Harrison’s novel on the train to and from Manchester. Set in the 1930s, it doesn’t need to spell out or even point towards the painful resonances with our current situation. The narrator dreams of the countryside in which she grew up. ‘Awake, I would picture in loving detail the valley’s fields and farms, its winding lanes and villages, conjuring up a vision of a lost Eden to which I longed to return. But at last I came to see that there is a danger in such thinking; for you can never go back, and to make an idol of the past only disfigures the present, and makes the future harder to attain’ (324).

Wave-IWMN

The Imperial War Museum North is exhibiting Wave, initially conceived for the installation at the Tower of London in 2014, designed by Tom Piper and sculpted by Paul Cummins. Poppies as symbols of remembrance (the history, the controversies, the disparate opinions) featured in the current exhibition, Lest We Forget? As well as some fascinating photographs, film footage, documents and commissioned war paintings—Paul Nash, Stanley Spencer, Wyndham Lewis—there was the huge John Singer Sargent picture, Gassed, which I’d been trying to show to the Librarian for quite a while: when we asked in London it had been lent to Washington but now we’d finally caught up with it.

Whitworth

Once checked-out of the hotel, we walked to the refurbished Whitworth Gallery, a stunning success, every detail a real class act, now one of the Librarian’s favourite places (and mine). To walk into a huge and elegant space—the exhibition is called In the Land—a Terry Frost canvas on either side of the threshold, past a Peter Lanyon, a Bryan Wynter, a Roger Hilton, then a Barbara Hepworth and John Milne’s aluminium Icarus, to the end wall’s pairing of a John Piper and a beautiful Ben Nicholson—it’s a damned fine walk. Prints of Darkness: Goya and Hogarth in a Time of European Turmoil was wonderful and terrifying, reminding me again how precisely Goya’s ‘The Sleep of Reason Produces Monsters’ provides the default text for our times. Textiles from the Islamic World included some breathtaking exhibits and Bodies of Colour—yes, wallpaper—was diverting too.

Goya-sleep-of-reason

(Goya, ‘The Sleep of Reason Produces Monsters’)

Then the City Gallery—remarkable—with the wonderful cards that people fill in: ‘What did you enjoy most about your visit?’ One read: ‘I saw it with my wife’. Another: ‘The Ancient Arts were decent. Thank you.’ Then the Central Library. Bloody hell. Fantastic. The Wolfson Reading Room. The rows of intent and silent readers. The Henry Watson Music Library. The kids picking out tunes on the piano, working out songs together. Democratic. Non-judgemental. Free. This stuff matters. I think of all the Tories and privatisation fetishists who say: ‘We don’t need libraries’ or ‘Nobody uses libraries’. They know nothing; they display such shameful ignorance that they should never pronounce on this or any other issue again. Never ever again.
References

[1] Bonnie Blackburn and Leofranc Holford-Strevens, The Oxford Companion to the Year (Oxford: Oxford University Press, 1999), 355.

[2] Jonathan Williams: The Lord of Orchards, edited by Jeffery Beam and Richard Owens (Westport and New York: Prospecta Press, 2017), xiv.

[3] Melissa Harrison, All Among the Barley (London: Bloomsbury Publishing, 2018).

Advancement of learning: visiting the library

Rylands-Reading-Room

(John Rylands Reading Room: via www.manchester.ac.uk )

‘Libraries,’ wrote Francis Bacon in 1605, ‘are as the shrines, where all the reliques of the ancient saints, full of true virtue, and that without delusion or imposture, are preserved, and reposed.’ Quoting this, Jennifer Summit, in Memory’s Library: Medieval Books in Early Modern England, presents libraries rather ‘less as inert storehouses of written tradition and rather more as volatile spaces that actively shaped the meanings and uses of books, reading, and the past’.[1]

In Manchester, apart from the Wyndham Lewis exhibition and the Ford Madox Brown murals in the town hall (that attempt failed: there was a one-day event in the Great Hall and it was closed to visitors), Chetham’s and the John Rylands Library were the main items on the menu.

Chethams-3

Chetham’s Library was founded in 1653, established under the terms of the will of Humphrey Chetham, ‘a prosperous Manchester textile merchant, banker and landowner’, and is the oldest surviving public library in Britain. In the superb Reading Room, we paused by the famous desk at which Karl Marx and Friedrich Engels worked, when the latter was employed at his father’s cotton manufacturing firm ­– and giving financial support to the Marx family.

Chethams-1

In the nineteenth century the library moved to specialise in the history and topography of the north west of England. Its holdings include 120,000 printed items, manuscripts and a huge quantity of ephemera: postcards, theatre programmes, posters, broadsheets and music. Among the individual items are Ben Jonson’s copy of Plato, first editions of Newton, Robert Hooke, Johnson’s Dictionary and Milton’s Paradise Lost, and, in manuscript, Horace Walpole’s account of money spent on his house at Strawberry Hill.[2]

Chethams-2

(Volumes of Francis Bacon’s works)

The librarian was properly—and professionally—impressed by all this. So, unprofessionally, was I—but then, who wouldn’t be? And so to the famous John Rylands Library, taking in their Reformation exhibition, with a copy of Luther’s 95 theses, and a handwritten letter from him.
http://www.library.manchester.ac.uk/rylands/whats-on/reformation/

The standard response to the Reading Room in John Rylands was exemplified by the man who came in while I was standing near the exit. ‘Wow’, he said; and once more, for luck, ‘Wow!’ Then the camera phone came out and he clicked continually, like most of the other people there. If I’d thought I could achieve pictures of anything other than light reflected off polished surfaces, I might have done the same. Easier, though, to borrow the Library’s own.

Today is, I notice, the birthday of Elaine Feinstein, poet, biographer, playwright, novelist and translator, who has published over forty books now. Curious the ways by which we come to some writers: relatively recently, I was reading Feinstein’s terrific versions of Marina Tsvetaeva:

this is the last bridge
the last bridging between

water     and firm land
and I am saving these
coins for death
for Charon, the price of Lethe

this     shadow money
from my dark hand I press
soundlessly into
the shadowy darkness of his

shadow money it is
no gleam and tinkle in it
coins for shadows:
the dead have enough poppies[3]

Tsvetaeva

Before Tsvetaeva and her biography of Ted Hughes and scattered pieces in PN Review, it was probably the famous 1959 ‘Letter to Elaine Feinstein’ from Charles Olson (‘Let this swirl—a bit like Crab Nebula—do for now’), addressed to E. B. Feinstein.[4] There was an exhibition at John Rylands Library with some choice morsels from their celebrated collections: they have the Elaine Feinstein archive there:
http://www.library.manchester.ac.uk/search-resources/guide-to-special-collections/atoz/elaine-feinstein-collection/ 
and there were some tantalising examples in a glass cabinet, including a letter from Allen Ginsberg which began ‘Dear Mr Feinstein’ (those initials again).

In Walden, Henry Thoreau remarked that, ‘The finest qualities of our nature, like the bloom on fruits, can be preserved only by the most delicate handling. Yet we do not treat ourselves nor one another thus tenderly.’[5] A good way to preserve the bloom while also strengthening roots and branches, is to light the fire in the belly and brain of boy or girl and set them loose in a library. It’s becoming more difficult, of course, to find one or to find one that’s open or to find one that’s open and has a good stock of books in it. (‘He had read everything’, David Garnett remembered of the novelist and short story writer H. E. Bates, ‘having found most of the world’s literature in Kettering and Rushden public libraries’.)[6]

Governments are notoriously careless or irresponsible about such things and libraries—the common or garden, indispensable neighbourhood libraries—have had a particularly tough time of late, seen by councils of all stripes and sizes as ‘soft’ targets. Those politicians who actually read have their own solid bookshelves, or access to parliamentary facilities, no doubt. But they also seem uncertain about what a library—and, for that matter, a professional librarian—actually is and does. Here’s a clue. A library run by unqualified volunteers is, alas, no longer a library: it has become instead a space containing some books, some computers and some well-meaning people.

Library

(via American Libraries Magazine)

Still, perhaps we have a population as well-educated, knowledgeable and well-informed as it could possibly be? If so, we can probably afford to be so neglectful, ungenerous and short-sighted as to cut education budgets and limit access to learning and run down public libraries, allowing local councils to degrade them as a first response—rather than a last resort—to budget squeezes by central government. If not, not. We should consider, anyway, the possibility that not everybody has access to the internet twenty-four hours a day. Perhaps we should consider another: not everything that people need to know, let alone want to know, is available on the internet in any case, and not every skill can be learned there.

References

[1] Bacon, The Advancement of Learning, address to the King at the opening of the Second Book; Jennifer Summit, Memory’s Library: Medieval Books in Early Modern England (Chicago: University of Chicago Press, 2008), 13.

[2] Details from Chetham’s Library: Three Centuries of the Written Word, edited by Sandra Pisano (London: Scala Arts and Heritage Publishers, reprinted 2016).

[3] Marina Tsvetaeva, ‘Poem of the End’, section 8 (1924), in Selected Poems, translated by Elaine Feinstein, fourth edition (Oxford: Oxford University Press, 1993), 78-79.

[4] See Charles Olson, The Collected Prose, edited by Donald Allen and Benjamin Friedlander (Berkeley: University of California Press, 1997), 250-252.

[5] Henry David Thoreau, Walden, edited by J. Lyndon Shanley (Princeton and London: Princeton University Press, 1974), 6.

[6] David Garnett The Familiar Faces (London: Chatto & Windus, 1962), 100.